In fact, I only now learned how to use the Graph mode for this review (hey, it's cool), as previously I would open it up and sit there staring at the graph window utterly confused. I will admit that I am not a power user of any tuning software, and I use Auto-Tune so infrequently that I never have fully learned any of the ins and outs or details. Since then Auto-Tune has become an industry standard - even non-studio geeks know its name - despite some healthy competition from Celemony's Melodyne, Waves' Tune, Serato's Pitch 'N Time, Synchro Arts' Revoice Pro, and others. It might not have worked well (dreadful performances), but it did get the tracks closer to the proper pitch. I remember renting the ATR-1 hardware version from a local studio back then and trying to tune some poorly pitched slide and violin by processing back to open tracks on 2-inch tape. I didn't realize Auto-Tune was 20 years old this year, and I'm sort of in shock.
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